Category: My Prose
Condemned To Be Free
“Liberty! Liberty! Liberty!” I echoed.
“Our liberty,” they cried.
“My liberty,” I echoed.
“No, ours; not yours.”
“My liberty is yours, and yours is mine.”
“No, you’re not one of us.”
“I thought liberty is universal?”
“Only as long as it doesn’t conflict with ours.”
“And when it does?”
“Then our liberty trumps yours.”
“I thought we’re equal?”
“We made up this equality, so technically we’re more equal.
Besides, you don’t even believe in liberty!”
“But I do.”
“You may, but your religion doesn’t; ours does.”
“I have no religion! And I thought you were secular?”
“We like our churches; aren’t they pretty?”
“But you said: secular, human rights, etc.”
“You poor kid; you believe everything we say?
Why don’t you go back home, back to your people…”
“But I left my people; I live here now!
My clothes are here; my cats are here…”
“Oh, tant pis… Schade… Next!”
I’m still not ready to leave
My throat is ready to leave; it is charred with exhaust. But something in me lingers, not wanting to pack just yet. More things to fold within: these congested streets, my backache, unwrapped endings, and the hesitation of what’s to come—I’ll have to pack them all. But I’ll have to unpack them first: lay them on the bed, fold them one by one—I don’t have much room.
But what to tell the dust coating everything and our lungs? What to tell the tired dust?
I shall return. Every now and then I breathe from a different nostril, and always gasp for air.
(Originally posted on April 14, 2007)
Self-Sabotage
Last year I interviewed an artist (Tania Bruguera) who’d played Russian roulette as an artwork—not once, but twice! No one I spoke to outside the art world seemed to get it, piling on incensed superlatives of outrage and accusations of insanity. Tania, very appropriately, called her performance “Self-Sabotage”. And recently, with what’s happening in Lebanon, I could think of no other work that sums up the situation there so succinctly and powerfully: the entire country is playing Russian roulette! Not once, not twice, not three or four or five times, but… But how do you even count this? By cars? By people? By days? And where do you even start? Every time I hear about another car bomb in Lebanon I feel like another gun went off at my temple. But it’s not my life that’s at stake here; it’s the lives of my loved ones. This time they’re safe, and the last time they were, too; and the time before that… But how many times can we all play this insane game of collective Russian roulette before we all lose together?
Another Day in Paradise
Terror strikes again in Beirut southern suburbs, five dead
Lebanon: A Counterpoint
Thoughts from a Broken Country – Day 2
But that was before it all went haywire, before the car bombs, before the paranoia… It was before the “Suburbs” went from a ghetto for-all-practical-purposes to a real official one, with enforced boundaries, a true country-within-a-country. There are now “self-enforced” (i.e. Hezbollah-manned) security checkpoints at all entrances to Dahye. The nightmarish traffic at the entrances went from oppressive to unbearable. But the indignity of the checkpoints is what’s most disturbing, eerily reminiscent of the “civil” war days, something I thought we’ve left behind.
At the turn to our place, a bearded man in civilian clothes stops our car and pulls us off to the side; apparently we look too Westernized, not Shiite enough. He asks “Where are you from?” and demands to see ID-cards (Lebanese code for “What religious sect are you?”). My idealistic brother replies, “I’m from Lebanon. I’m secular. I crossed my religious sect off of my ID.” My father thinks he’s asking for trouble; he’s glad my brother is leaving the country next week for another masters in the UK. I side with my brother; I tell the bearded guy, “I’m from here before you were born; where are YOU from?” He replies, mockingly, “Syria.” I ask him, “By what right do you ask to see our IDs then?” He says, “I’m trying to protect you; why are you so upset?” I say, “Because we’re trying to get to our house right there and every time you stop us.” At this point, my mother is glad, too, I’ll be leaving soon again. And I… I’m not sure of anything anymore.
I feel like Don Quixote battling the windmills: just as foolish, just as delusional, just as aimless… Soon enough, I’ll be back again in the cold comfort of my life in Zurich, I hope. I’ll be back to railing against the Swiss, and the Americans, and the Art World, and whatever windmills I could muster–just another foolish man and his grandiose deluded ideals. And what becomes of here? What becomes of them? I’ll pretend not to think; even a foolish man can take on only so many windmills….
‘Stranger In Paradise’
“Take my hand
I’m a stranger in paradise
All lost in a wonderland
A stranger in paradise”
-Tony Bennett, ‘Stranger In Paradise’
Here am I in paradise, they said. This is as close as it gets to it on this earth, they said. But someone forgot to mention that I don’t belong in paradise. I breathe my air charred and sticky with sweat. I take my water salty and warm. Even our mountains are shabby and riddled with people. And it’s the people in hell that I miss the most: red-hearted, red-tempered, loud and obnoxious like their laughter.
Here, I take trams all day, going nowhere, always seeking a savior. I reach out my hand only to find it in my pocket. I seek in the frozen faces floating by a little bit of the warmth of hell, but hell has frozen over, leaving me all lost in wonderland.
Here, Prince Charming wears an Armani suit and picks up his “date” in a Porsche Cayenne with an unsuspecting child-seat in the back. The princesses are all trapped in castles up the hill, looking down, missing it all. Looking beyond, dreaming of that hand, pretending it’s not the same one that locked the door this morning. Pretending paradise is still elsewhere, somewhere they may belong to…
Willing Life Back to Normal
It’s been strangely quiet in here, in my mind. I’ve been trying to will life back to normal, trying to shed the rigorous routines I’ve acquired in the past month. Exhaustion is evident in those around me, those that have been touched, even from a distance. My words seem trite and packaged to me; I feel like a news agency repeating the same tired script.
There’s a strange quiet, a tangible vacuum in here. I want to pretend that this never happened, and it’s easier for me to do so here. This is strangely reminding me of when my grandmother died. I wasn’t there. Her death was sluggish to materialize. It took my going back home, to my grandparents house, for it to get closer to home. But even then she was simply strangely absent, like she just stepped out to get a bundle of bread and took a bit longer to return. Even seeing her grave didn’t help that much in making it any more real. There was a marble slab with her name on it, her first name, which I never used anyhow. Just a name, and dates. But she wasn’t there. I couldn’t imagine her below, just like it was difficult to believe her to be dead. Her smell wasn’t there, nor her ragged day dresses. There was just a strange absence, and nothing could be less tangible.
And here, I have only pictures. And voices. And words. There’s the rubble, and here’s my adamantly self-protective mind that wants to forget about it. And here’s my world that is more than happy to conspire with me on pretending it never happened. Here’s the concert in the park we went to last night, the refined string music, and the malevolently oblivious kids running around the pond. Here’s this “civilized” culture that pretends it never killed anyone, it never paid for massacres, I never paid for massacres… It is easier to pretend that we’re civilized when listening to violins in the night. It is too easy. I keep replaying old stale songs to remind me that this isn’t it, that life is happening elsewhere, that life stopped elsewhere. But the songs with faded lyrics can barely compete with Bach. It is too easy to pretend we’re civilized with Bach.
Yes, this is peace, this is serenity, this is affluence and plentitude, laying there, on the impeccable grass, pretending that it cost nothing. There’s the rich of Chestnut Hill calling for someone to give their “meals on wheels” to. I pretend to forget my sister’s message about the 500 or 5,000 that were stuck underground somewhere in the south of Lebanon without food for days, or the report about the people that had to drink from puddles of collected rain water that was closer in consistency to mud, and had started greening already with algae. I pretend this has never happened before, elsewhere, and will never happen again. I pretend that this is all there is, this concert, the good food, and my strangely silent company.
Mazen’s mother’s birthday was weighing on his mind. And on ours. He was supposed to be with her for it, in that World Before Any Of This Happened. There was the Peace my mother believed in in that World, the Life As It Was Happening Before. There was life as I remember it too vividly, as I try to will it again. The life with its infinite small details that have become strangely irrelevant now. And there’s the silence, this unrelenting silence in my mind, that gets quickly filled, at the first thought of words, with old fragments of song, of Fairouz wailing, “Ya natreen el-talj, ma aad badkoun tirja’ou?” You waiting for the snow, don’t you want to come back?
(Illustration courtesy of Ben Heine) Comment
That same night they bombed the mosque at the cemetery at the end of our street in el-Dahyeh, where my grandma is buried; I have never been happier that she’s already dead. (So much for “Rest In Peace”!) No wonder my mother and sister are starting to think they can feel her ghost sitting by their side on the bed in the mountains; it must have taken her a week or two to walk up there… In their hurry, people always leave the dead behind.
That night, they also created some new tenants for the cemetery, right from the buildings next door (though they have to dig them out of the rubble still). Forty of them, my sister said.
Yesterday my mom opened her pharmacy again, at the other end of the same street. Not all the neighbors, or employees, are back; but those there were happy to get some long-needed pills.
Today I heard a reporter on the radio saying that the Dahyeh smelled old, like an abandoned house. Or a woman by the side of the road.
A photo of what remains of a nearby pharmacy of my mother’s colleague .Click on it for more photos that my friend Eve took.
1982 revisited?

Last night the electricity went out in Philadelphia for a couple of hours. I was almost nostalgic lighting up the candles around the house. In the dark, anywhere could be Beirut.
But then one of the candles burst out in flames; the wax itself was on fire, the round top of the thick cylinder was ablaze. I tried to put it out, throw water on it, but that only made the boiling wax splash onto my hand. I tried to sleep, with my hand dangling in a bucket of ice water, but I just couldn’t. Underneath the pain I must have sensed something in the air, a whiff of the news I was to wake up to.
Today my nostalgia took a darker turn…

